Something different -- My reading lists- Contemporary Urban Fantasy
Initially, my anger hinged on suspicion that they’re there because the authors are women. However, after reading literary reviews and comparing works, what I’ve found isn’t necessarily a condescending attitude toward women authors (although that may be part of it), but rather just a misunderstanding of the urban fantasy genre and how it digs into contemporary society’s moral choices through science fiction vehicles that usually feature strong women. Readers and booksellers see the strong female lead on the cover and read the bedroom scenes and think romance, instead of thinking about overall story being told. What led me to this conclusion is that recently I’ve started reading Neil Gaiman’s works, both Graphic Novels and books such as American Gods. I especially like his strong female characterization of Death and her odysseys through the lives of people who have lost meaning in their earthly existence. The world view themes in Gaiman’s stories like Sandman, The Graveyard Book and Fragile Things seems very akin to Kelly Armstrong’s Women of the Otherworld, Laurell K Hamilton’s books, and other authors works currently being thrown in the paranormal romance section. Gaiman’s Death is a very similar character to many of the female players in other books I’ve been reading by Laurell K. Hamilton, Armstrong, Rachel Caine, and Charlaine Harris. Jim Butcher’s Wizard in the Dreden Files could easily be switched into a female character who would then be Anita Blake’s doppelganger. And even some of the male protagonists in John Ringo and David Drake books could become strong female leads whose stories maintain a boon of sex scenes while fighting good and evil in our world. All of these other authors are in the science fiction section. Bringing me to my first conclusion: sex alone doesn’t make the difference in how this genre of book is categorized. Gaiman, Jim Butcher and other male authors have sex in their books, yet they aren’t shelved in the paranormal romance section. I’ll admit that some of the authors that are in the paranormal romance section, such as The truth however, is that all of these authors are part of the Contemporary Urban Fantasy genre. It encompasses Neil Gaiman, Kelly Armstrong and Laurell K Hamilton. Nanette Wargo Donohue wrote a good analysis of this genre at Library Journal.com, entitled, Collection Development “Urban Fantasy": The City Fantastic, 6/1/2008. Wargo states that Urban fantasy as we know it began in the 1980s and 1990s. Charles de Lint and Terri Windling defined this genre in their works Newford, Dreams Underfoot, and Borderlands respectively. Wargo says, “These works introduced readers to the possibility of supernatural, fantastic beings in modern settings, and other authors who contributed to the development of what is now identified as “traditional urban fantasy” included Emma Bull, Neil Gaiman, and Mercedes Lackey….The branch of urban fantasy currently skyrocketing in popularity is “contemporary urban fantasy,” which plays on themes drawn from popular culture, including horror movies, TV shows like cult classic Buffy the Vampire Slayer, and lore about such paranormal creatures as vampires and werewolves. This is what your patrons are looking for when they request “urban fantasy.” Common characteristics include tough female protagonists (often with supernatural powers or superhuman strength), stronger distinctions between good and evil, grittier urban landscapes, first-person narration, and sexual tension, often between the female protagonist and a male character who toes the line between good and evil. A pioneer in this subgenre is Laurell K. Hamilton, whose “Anita Blake, Vampire Hunter” novels were among the first to play on these themes.” The rest of Wargo’s article is found at http://www.libraryjournal.com/article/CA6561372.html. Wargo’s article breaks the genre into Traditional and Contemporary Urban Fantasy and is an interesting discussion. Wargo points in the direction of Locus magazine and Diana Tixier Herald's literary analysis to understand more about urban fantasy. Locus seems to me to be more about general sci fi and not getting to the heart of looking at just urban fantasy and why my favorite authors are in the paranormal romance section. Herald’s work (Fluent in Fantasy: The Next Generation and Genreflecting Advisory Series) on the other hand, gets right to the heart of my discussion. She evens pulls in the teen urban fantasies like Harry Potter, who have found a place on my reading list with teen focused novels from Kelley Armstrong and Rachel Caine. Herald’s books discuss how genres bring reading groups together to discuss specific topics in society. Just as the adult genre, the teen urban fantasy genre supplies a common vehicle for teens to understand their world by freeing minds from preconceived notions of what is not possible. As all of the contemporary urban fantasies do, these young adult books examine how people make moral choices as they struggle to understand our technologically advanced and spiritually stunted society. Just as any fantasy and urban graphic novel will always be found in the comic books, and strong female leads with paranormal abilities will be in the paranormal romance shelves, these urban fantasy books with young lead characters will be in the young adult section. For now readers will have to search each bookstore section to gather the contemporary urban fantasy books into one collection. However, they’ll be rewarded by fun science fiction books that provide an interesting examination of our urban society and relationships as they are projected onto a fantasy tapestry. It seems to me in the final analysis however, that there’s no reason for any of the contemporary urban fantasies discussed I’ve discuss in this rant not to be shelved within the larger genre of science fiction. It seems that publishers and booksellers default to the cover art and printing style of the book rather than really categorizing the book by its true genre. This policy may sell more books, but it does a disservice to the genre and the authors.







My life is so my better. Visited my family's graves last week and walking around the cemetary was no big deal. I thought about them, not about my inability to visit all of their graves. All this success is what has me captured at this plateau. I need to see all of the things that I still can't do because I still need to lose one hundred pounds. I realize this plateau is of my own making. To know the problem isn't to neccessarily conquer it.


